{"id":4126,"date":"2023-03-14T17:09:11","date_gmt":"2023-03-14T16:09:11","guid":{"rendered":"https:\/\/maisondoramaar.org\/?post_type=fellows&p=4126"},"modified":"2023-03-14T17:09:11","modified_gmt":"2023-03-14T16:09:11","slug":"andy-campbell","status":"publish","type":"fellows","link":"https:\/\/maisondoramaar.org\/fr\/residents\/andy-campbell\/","title":{"rendered":"Andy Campbell"},"content":{"rendered":"

Andy Campbell est critique, curateur, \u00e9ducateur et historien de l’art et du design contemporains. Il s’int\u00e9resse particuli\u00e8rement aux mouvements politiques identitaires am\u00e9ricains des XXe et XXIe si\u00e8cles, \u00e0 leurs archives et \u00e0 leurs s\u00e9quelles. Parmi ses monographies r\u00e9centes, citons Bound Together : Leather, Sex, Archives, and Contemporary Art, et Queer X Design. Avec Chelsea Weathers, il a codirig\u00e9 le volume Jennifer West : Media Archaeology et, avec Amelia Jones, le catalogue Queer Communion : Ron Athey – nomm\u00e9 l’un des “meilleurs livres d’art de 2020” par le New York Times. Les essais et critiques de Campbell ont \u00e9t\u00e9 publi\u00e9s dans Artforum, Xtra, GLQ, Dress, The Invisible Archive et Turbo, entre autres. Son projet de livre actuel examine les effets mat\u00e9riels et proc\u00e9duraux – et les silences sur le sujet – de la pauvret\u00e9 dans la pratique artistique contemporaine aux \u00c9tats-Unis. Campbell est professeur associ\u00e9 d’\u00e9tudes critiques \u00e0 la Roski School of Art and Design de l’USC et vit \u00e0 Gardena, en Californie.<\/p>\n","protected":false},"featured_media":4124,"template":"","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_links_to":"","_links_to_target":""},"fellows-categories":[91,125],"class_list":["post-4126","fellows","type-fellows","status-publish","has-post-thumbnail","hentry","fellows-categories-conservateur-fr","fellows-categories-critique-fr"],"acf":[],"yoast_head":"\nAndy Campbell - La Maison Dora Maar et L'H\u00f4tel Tingry<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/maisondoramaar.org\/fr\/residents\/andy-campbell\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Andy Campbell - La Maison Dora Maar et L'H\u00f4tel Tingry\" \/>\n<meta property=\"og:description\" content=\"Andy Campbell est critique, curateur, \u00e9ducateur et historien de l’art et du design contemporains. 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