{"id":7380,"date":"2024-10-21T20:43:33","date_gmt":"2024-10-21T18:43:33","guid":{"rendered":"https:\/\/staging.maisondoramaar.org\/la-bourse\/nos-anciens-boursiers\/que-sont-devenus-nos-residents\/"},"modified":"2024-10-21T20:43:33","modified_gmt":"2024-10-21T18:43:33","slug":"que-sont-devenus-nos-residents","status":"publish","type":"page","link":"https:\/\/maisondoramaar.org\/fr\/la-bourse\/nos-anciens-boursiers\/que-sont-devenus-nos-residents\/","title":{"rendered":"Que sont devenus nos r\u00e9sidents ?"},"content":{"rendered":"\n
<\/div>\n\n

Que sont devenus nos r\u00e9sidents ?<\/h2>\n

Artist Interview – Nancy Bowen<\/a><\/h2>

Jun 2026<\/span> Our Culture<\/h3>

Nancy Bowen<\/span><\/h4><\/div>

A Persian Garden Blooms on Governors Island<\/a><\/h2>

May 2026<\/span> HYPERALLERGIC<\/h3>

Bahar Behbahani<\/span><\/h4><\/div>

A love letter to James Baldwin<\/a><\/h2>

Apr 2026<\/span> The Observer<\/h3>

Nicholas Boggs<\/span><\/h4><\/div>

A new start after 60: I went on 75 first dates \u2013 and wrote a book of Kama Sutra-inspired poetry<\/a><\/h2>

Mar 2026<\/span> The Guardian<\/h3>

Zack Rogow<\/span><\/h4><\/div>

Avec \u00ab Les Immortelles \u00bb, la r\u00e9alisatrice Caroline Deruas Peano signe une ode \u00e0 l’\u00e9lan adolescent, par-del\u00e0 le deuil<\/a><\/h2>

Feb 2026<\/span> Le Monde<\/h3>

Caroline Deruas<\/span><\/h4><\/div>

Faculty author Q&A: Zahid R. Chaudhary on \u2018Paranoid Publics\u2019<\/a><\/h2>

Jan 2026<\/span> Princeton University<\/h3>

Zahid R. Chaudhary<\/span><\/h4><\/div>

18 Questions With… Dan Devening<\/a><\/h2>

Jan 2026<\/span> UntitledDb<\/h3>

Dan Devening<\/span><\/h4><\/div>

Interview – Leslie Roberts<\/a><\/h2>

Dec 2025<\/span> SEMI-FINALIST<\/h3>

Leslie Roberts<\/span><\/h4><\/div>

R. Crumb Looks Back<\/a><\/h2>

Apr 2025<\/span> The New Yorker<\/h3>

Dan Nadel<\/span><\/h4><\/div>

“L’\u00c9poux”, sa d\u00e9claration: Patrick Autr\u00e9aux entre mariage et qu\u00eate religieuse<\/a><\/h2>

Mar 2025<\/span> Lib\u00e9ration<\/h3>

Patrick Autr\u00e9aux<\/span><\/h4><\/div>

A Queer Wish for Other Worlds<\/a><\/h2>

Mar 2025<\/span> Aperture<\/h3>

David Gilbert<\/span><\/h4><\/div>

Brian Karl on Rodrigo Valenzuela<\/a><\/h2>

Mar 2025<\/span> ARTFORUM<\/h3>

Rodrigo Valenzuela<\/span><\/h4><\/div>

Arielle Masson\u2019s \u201cChaotic Nodes\u201d<\/a><\/h2>

Oct 2024<\/span> Glasstire<\/h3>

Arielle Masson<\/span><\/h4><\/div>

Jennifer Haigh Uncovers a Family’s Web of Secrets in New Novel Rabbit Moon \u2014 See the Cover (Exclusive)<\/a><\/h2>

Sep 2024<\/span> People Magazine<\/h3>

Jennifer Haigh<\/span><\/h4><\/div>

Jenny Wu on Laura Letinsky<\/a><\/h2>

Sep 2024<\/span> ArtForum<\/h3>

Laura Letinsky<\/span><\/h4><\/div>

Presenting Hyperallergic\u2019s 2024 Armory Show Booth Awards<\/a><\/h2>

Sep 2024<\/span> Hyperallergic<\/h3>

Rodrigo Valenzuela<\/span><\/h4><\/div>

\u2018Writing this book was like a drug high\u2019_ Rachel Kushner on her Booker-listed novel<\/a><\/h2>

Aug 2024<\/span> The Guardian<\/h3>

Rachel Kushner<\/span><\/h4><\/div>

It Takes a Village<\/a><\/h2>

Aug 2024<\/span> The Village View<\/h3>

Eric K. Washington<\/span><\/h4><\/div>

This Booker longlist might just be the most enjoyable of recent years<\/a><\/h2>

Jul 2024<\/span> The Guardian<\/h3>

Rachel Kushner<\/span><\/h4><\/div>

TRELLIS ART FUND ANNOUNCES INAUGURAL GRANTEES<\/a><\/h2>

Jul 2024<\/span> ArtForum<\/h3>

Autumn Knight<\/span><\/h4><\/div>

Cosmic Energy and Coastal Birds, Two Exhibitions in Texas<\/a><\/h2>

Jul 2024<\/span> Glasstire<\/h3>

Jackie Tileston<\/span><\/h4><\/div>

South Africa Mirrors the American West in \u201cDark Noon\u201d<\/a><\/h2>

Jun 2024<\/span> The New Yorker<\/h3>

Laura Letinsky<\/span><\/h4><\/div>

Francine Zubeil expose \u00e0 l\u2019Atelier Archipel au Cap \u00e0 Goulien samedi\u00a022 et dimanche 23\u00a0juin<\/a><\/h2>

Jun 2024<\/span> Le T\u00e9l\u00e9gramme<\/h3>

Francine Zubeil<\/span><\/h4><\/div>

David Adjmi’s Stereophonic Takes Home the Tony Award for Best Play\u00a0<\/a><\/h2>

Jun 2024<\/span> Broadway Buzz<\/h3>

David Adjmi<\/span><\/h4><\/div>

La sopesable levedad del amor en una muestra<\/a><\/h2>

Apr 2024<\/span> Clarin<\/h3>

Paula Toto Blake<\/span><\/h4><\/div>

Mildred\u2019s Lane is a Self Regenerating Art Complex\u00a0<\/a><\/h2>

Mar 2024<\/span> Frieze<\/h3>

J. Morgan Puett<\/span><\/h4><\/div>

5 Small Businesses Making Board Games Popular Again<\/a><\/h2>

Mar 2024<\/span> U.S. Chamber of Commerce<\/h3>

Mary Flanagan<\/span><\/h4><\/div>

\u00c0 voir _ Un court-m\u00e9trage m\u00e9connu de Caroline Deruas avec Ad\u00e8le Haenel et Clotilde Hesme<\/a><\/h2>

Mar 2024<\/span> Trois Couleurs<\/h3>

Caroline Deruas<\/span><\/h4><\/div>

Books to read in March 2024<\/a><\/h2>

Mar 2024<\/span> Los Angeles Times<\/h3>

Marie Mutsuki Mockett<\/span><\/h4><\/div>

The Secret Growing, On the New Spiritual Art Canon\u00a0<\/a><\/h2>

Feb 2024<\/span> Los Angeles Review of Books<\/h3>

Susan L. Aberth & Mar\u00eda Teresa Arcq Guzm\u00e1n<\/span><\/h4><\/div>

Entretien avec Patrick Autr\u00e9aux, l\u2019un des auteurs majeurs de la litt\u00e9rature fran\u00e7aise contemporaine<\/a><\/h2>

Jan 2024<\/span> La Plume vivante<\/h3>

Patrick Autr\u00e9aux<\/span><\/h4><\/div>

We Are All Witches, Elizabeth Willis and Nancy Bowen on the Contemporary Echoes of Centuries-Old Fears<\/a><\/h2>

Dec 2023<\/span> Literary Hub<\/h3>

Nancy Bowen<\/span><\/h4><\/div>

2024 Sundance Film Festival Announces Short Films Lineup and 40th Edition Programming<\/a><\/h2>

Dec 2023<\/span> Sundance<\/h3>

Carolyn Purnell<\/span><\/h4><\/div>

At Art Basel, Surrealist painter Leonor Fini is just beginning to get her due<\/a><\/h2>

Dec 2023<\/span> NPR<\/h3>

Mar\u00eda Teresa Arcq Guzm\u00e1n<\/span><\/h4><\/div>

100 Notable Books of 2023<\/a><\/h2>

Nov 2023<\/span> The New York Times<\/h3>

Elizabeth Graver<\/span><\/h4><\/div>

Upper East Meets Lower East in a Celebration of Art in Manhattan<\/a><\/h2>

Oct 2023<\/span> The New York Times<\/h3>

Lisa Corinne Davis<\/span><\/h4><\/div>

Thomas Simaku Solo<\/a><\/h2>

Oct 2023<\/span> BBC Music Magazine<\/h3>

Thomas Simaku<\/span><\/h4><\/div>

Jane South: Halfway Off<\/a><\/h2>

Oct 2023<\/span> Brooklyn Rail<\/h3>

Jane South<\/span><\/h4><\/div>

\u00ab\u00a0Van Gogh th\u00e9rapie\u00a0\u00bb, le podcast immersif de Beaux Arts maintenant en ligne<\/a><\/h2>

Oct 2023<\/span> Beaux Arts<\/h3>

St\u00e9phane Lambert<\/span><\/h4><\/div>

Dr. Pamela T. Newkirk<\/a><\/h2>

Oct 2023<\/span> American Academy of Arts and Sciences<\/h3>

Pamela Newkirk<\/span><\/h4><\/div>

2023 Mark Twain American Voice in Literature Award Lists<\/a><\/h2>

Sep 2023<\/span> Mark Twain House and Museum<\/h3>

Jennifer Haigh<\/span><\/h4><\/div>

Reading list: Our pick of the best Jewish books over the last year<\/a><\/h2>

Sep 2023<\/span> The Jewish Chronicle<\/h3>

Elizabeth Graver<\/span><\/h4><\/div>

Biennial as experimentation<\/a><\/h2>

Sep 2023<\/span> Chicago Reader<\/h3>

Jeremiah Hulsebos-Spofford<\/span><\/h4><\/div>

15 Art Shows to See in New York This September<\/a><\/h2>

Sep 2023<\/span> Hyperallergic<\/h3>

Jane South<\/span><\/h4><\/div>

Jean-Charles Vergne<\/a><\/h2>

Sep 2023<\/span> Zap<\/h3>

Jean-Charles Vergne<\/span><\/h4><\/div>

Martha Bone and Janice Caswell: Two Solo Shows at Garrison Art Center<\/a><\/h2>

Aug 2023<\/span> Art Spiel<\/h3>

Janice Caswell<\/span><\/h4><\/div>

Our Most Anticipated Books of July 2023<\/a><\/h2>

Jun 2023<\/span> Book Culture<\/h3>

Rachel Cantor<\/span><\/h4><\/div>

<\/a><\/h2>

Jun 2023<\/span> Los Angeles Review of Books<\/h3>

Howard Fishman<\/span><\/h4><\/div>

Lisa Corinne Davis: You Are Here?<\/a><\/h2>

May 2023<\/span> The Brooklyn Rail<\/h3>

Lisa Corinne Davis<\/span><\/h4><\/div>

It Was an All-Black School in 1860. Today It\u2019s a Manhattan Landmark.<\/a><\/h2>

May 2023<\/span> The New York Times<\/h3>

Eric K. Washington<\/span><\/h4><\/div>

The Print Center presents Rodrigo Valenzuela: Workforce<\/a><\/h2>

May 2023<\/span> Broad Street Review<\/h3>

Rodrigo Valenzuela<\/span><\/h4><\/div>

The Best New Books, New in Nonfiction<\/a><\/h2>

May 2023<\/span> People<\/h3>

Jennifer Lunden<\/span><\/h4><\/div>

Autumn Knight on the sweetness and terror of doing nothing<\/a><\/h2>

May 2023<\/span> ArtForum<\/h3>

Autumn Knight<\/span><\/h4><\/div>

\u2018Teeth\u2019 Adaptation and \u2018Stereophonic\u2019 in Playwrights Horizons New Season<\/a><\/h2>

May 2023<\/span> The New York Times<\/h3>

David Adjmi<\/span><\/h4><\/div>

Connie Converse Was \u2018the Female Bob Dylan.\u2019 Then She Disappeared<\/a><\/h2>

Apr 2023<\/span> Rolling Stone<\/h3>

Howard Fishman<\/span><\/h4><\/div>

2023 Grassroots Preservation Awards and Preservation Party<\/a><\/h2>

Apr 2023<\/span> Historic Districts Council<\/h3>

Eric K. Washington<\/span><\/h4><\/div>

A Sephardic Family Odyssey From Constantinople to Queens<\/a><\/h2>

Apr 2023<\/span> The New York Times<\/h3>

Elizabeth Graver<\/span><\/h4><\/div>

The Daily Heller: Carla Diana Peeks Into AI and Pandora\u2019s Box<\/a><\/h2>

Apr 2023<\/span> PRINT Magazine<\/h3>

Carla Diana<\/span><\/h4><\/div>

Still Falling<\/a><\/h2>

Apr 2023<\/span> Publisher’s Weekly<\/h3>

Jennifer Grotz<\/span><\/h4><\/div>

Jews of the Spanish Homeland_ Finding My Sephardic Family in a 1929 Film _ Jewish Book Council<\/a><\/h2>

Apr 2023<\/span> Jewish Book Council<\/h3>

Elizabeth Graver<\/span><\/h4><\/div>

To Anyone Who Ever Asks_ The Life, Music, and Mystery of Connie Converse<\/a><\/h2>

Apr 2023<\/span> Publisher’s Weekly<\/h3>

Howard Fishman<\/span><\/h4><\/div>

Review_ _Sketches for Three Voices_ by Joanna Klink, Annette Carlozzi, and Francesca Fuchs at testsite, Austin _ Glasstire<\/a><\/h2>

Apr 2023<\/span> Glasstire<\/h3>

Francesca Fuchs<\/span><\/h4><\/div>

The Weeds – Katy Simpson Smith<\/a><\/h2>

Apr 2023<\/span> Granta Magazine<\/h3>

Katy Simpson Smith<\/span><\/h4><\/div>

Witches Take Over Westchester<\/a><\/h2>

Apr 2023<\/span> Hyperallergic<\/h3>

Nancy Bowen<\/span><\/h4><\/div>

Eizo Sakata “De la Maison de Dora Maar”<\/a><\/h2>

Mar 2023<\/span> Mainichi Newspaper<\/h3>

Eizo Sakata<\/span><\/h4><\/div>

Artist Profile: Maxine Gordon on Jazz Geography and the Allures of Archivism<\/a><\/h2>

Mar 2023<\/span> The Harvard Crimson<\/h3>

Maxine Gordon<\/span><\/h4><\/div>

Unpacking the Life and Times of Karl Lagerfeld<\/a><\/h2>

Feb 2023<\/span> Women’s Wear Daily<\/h3>

William Middleton<\/span><\/h4><\/div>

The Private Provocations of Karl Lagerfeld<\/a><\/h2>

Feb 2023<\/span> W Magazine<\/h3>

William Middleton<\/span><\/h4><\/div>

The WBUR Read-In: 50 years after Roe<\/a><\/h2>

Jan 2023<\/span> WBUR<\/h3>

Jennifer Haigh & Jennifer Haigh<\/span><\/h4><\/div>

Spectral Machines<\/a><\/h2>

Jan 2023<\/span> Dissent Magazine<\/h3>

Rodrigo Valenzuela<\/span><\/h4><\/div>

Feminine Futures : Ukraine Une conf\u00e9rence\/projection d\u2019Adrien Sina<\/a><\/h2>

Jan 2023<\/span> Centre Pompidou<\/h3>

Adrien Sina<\/span><\/h4><\/div>

Looking Back on 2022: a Conversation with Francesca Fuchs<\/a><\/h2>

Dec 2022<\/span> Glasstire<\/h3>

Francesca Fuchs<\/span><\/h4><\/div>

Baltimore Museum of Art plans $2.5M renovation of its Joseph Education Center, including \u2018immersive experiences\u2019 created by artists Derrick Adams, Mary Flanagan and Pablo Helguera<\/a><\/h2>

Dec 2022<\/span> Baltimore Fishbowl<\/h3>

Mary Flanagan<\/span><\/h4><\/div>

Glasstire\u2019s Best of 2022<\/a><\/h2>

Dec 2022<\/span> Glasstire<\/h3>

Joseph Havel<\/span><\/h4><\/div>

50 notable works of fiction<\/a><\/h2>

Nov 2022<\/span> Washington Post<\/h3>

Jennifer Haigh<\/span><\/h4><\/div>

City Unveils New Public Art Project At Enmarket Arena In Celebration Of Community<\/a><\/h2>

Nov 2022<\/span> Savannah Tribune<\/h3>

Jerome Meadows<\/span><\/h4><\/div>

Rodrigo Valenzuela: New Works for a Post Worker\u2019s World<\/a><\/h2>

Nov 2022<\/span> The Brooklyn Rail<\/h3>

Rodrigo Valenzuela<\/span><\/h4><\/div>

THE BEST BOOKS OF 2022 SO FAR<\/a><\/h2>

Oct 2022<\/span> The New Yorker<\/h3>

Jennifer Haigh<\/span><\/h4><\/div>

THE BEST BOOKS OF 2022 SO FAR<\/a><\/h2>

Oct 2022<\/span> The New Yorker<\/h3>

Gish Jen<\/span><\/h4><\/div>

Joseph Havel Dallas Contemporary<\/a><\/h2>

Oct 2022<\/span> ArtForum<\/h3>

Joseph Havel<\/span><\/h4><\/div>

15 artists explore the concept of a modern metropolis in \u2018Urban Impressions\u2019 on Rice campus<\/a><\/h2>

Sep 2022<\/span> Houston Chronicle<\/h3>

Mary Flanagan<\/span><\/h4><\/div>

En galerie, l’art contemporain expliqu\u00e9 aux enfants<\/a><\/h2>

Sep 2022<\/span> La Provence<\/h3>

Fran\u00e7oise S\u00e9miramoth<\/span><\/h4><\/div>

When Her Husband Is Guilty, What’s A Wife To Do?<\/a><\/h2>

Sep 2022<\/span> The New York Times<\/h3>

Stacey D’Erasmo<\/span><\/h4><\/div>

Inside the years long fight to preserve a once-segregated New York City school<\/a><\/h2>

Jul 2022<\/span> NBC News<\/h3>

Eric K. Washington<\/span><\/h4><\/div>

HANNAH AND JOE: INTERSPECIES ART BETWEEN BIRD AND MAN<\/a><\/h2>

Jul 2022<\/span> Leonardo Reviews<\/h3>

Joseph Havel<\/span><\/h4><\/div>

Carving Out Time: A Conversation with Joseph Havel<\/a><\/h2>

Jun 2022<\/span> Glasstire<\/h3>

Joseph Havel<\/span><\/h4><\/div>

Fiction Book review: The Complicities<\/a><\/h2>

May 2022<\/span> Publishers Weekly<\/h3>

Stacey D’Erasmo<\/span><\/h4><\/div>

A Panorama of Design Exhibitions, products and personalities.<\/a><\/h2>

Apr 2022<\/span> The New York Times<\/h3>

Joseph Havel<\/span><\/h4><\/div>

Autumn Knight – John Simon Guggenheim Memorial Foundation<\/a><\/h2>

Apr 2022<\/span> John Simon Guggenheim Memorial Foundation<\/h3>

Autumn Knight<\/span><\/h4><\/div>

Lisa Corinne Davis – John Simon Guggenheim Memorial Foundation<\/a><\/h2>

Apr 2022<\/span> John Simon Guggenheim Memorial Foundation<\/h3>

Lisa Corinne Davis<\/span><\/h4><\/div>

Allison Funk – John Simon Guggenheim Memorial Foundation<\/a><\/h2>

Apr 2022<\/span> John Simon Guggenheim Memorial Foundation<\/h3>

<\/h4><\/div>

2 A.M. In Little America<\/a><\/h2>

Mar 2022<\/span> Kirkus Reviews<\/h3>

Ken Kalfus<\/span><\/h4><\/div>

Announcing The 2022 PEN America Literary Awards Winners<\/a><\/h2>

Mar 2022<\/span> PEN America<\/h3>

Jennifer Grotz<\/span><\/h4><\/div>

A Novel About Abortion, Told From Inside and Outside a Clinic<\/a><\/h2>

Feb 2022<\/span> The New York Times<\/h3>

Jennifer Haigh<\/span><\/h4><\/div>

‘Thank You, Mr. Nixon’ is a collection written with intelligence, wit and grace<\/a><\/h2>

Feb 2022<\/span> NPR<\/h3>

Gish Jen<\/span><\/h4><\/div>

Foundation for Contemporary Arts\u2019s $45,000 Grants Go to Eve Fowler, Raven Chacon, and More<\/a><\/h2>

Jan 2022<\/span> ARTnews<\/h3>

Autumn Knight<\/span><\/h4><\/div>

In \u2018Disorienting\u2019 New Show, Influential Houston Artist Finds Inspiration in the Everyday<\/a><\/h2>

Jan 2022<\/span> Houston CityBook<\/h3>

Francesca Fuchs<\/span><\/h4><\/div>

Thank You, Mr. Nixon<\/a><\/h2>

Nov 2021<\/span> Publishers Weekly<\/h3>

Gish Jen<\/span><\/h4><\/div>

Indelicate truths – an artist’s depiction of slavery on fine china<\/a><\/h2>

Sep 2021<\/span> The Financial Times<\/h3>

Jacqueline Bishop<\/span><\/h4><\/div>

‘Secret Name’ Review: An Imposter Shakes Class Hierarchy on the Eve of WWI<\/a><\/h2>

Aug 2021<\/span> Variety<\/h3>

Aur\u00e9lia Georges<\/span><\/h4><\/div>

When Perfume is Magical<\/a><\/h2>

Aug 2021<\/span> FAIRE<\/h3>

Daniel Plettenberg<\/span><\/h4><\/div>

NEH Long-Term Fellows<\/a><\/h2>

Jul 2021<\/span> The New York Public Library<\/h3>

Nicholas Boggs<\/span><\/h4><\/div>

Th\u00e9\u00e2tre d’Outre-mer en Avignon : Jimi, Isabelle et Lydie ont entonn\u00e9 “Hymne”<\/a><\/h2>

Jul 2021<\/span> Outre-mer la 1\u00e8re<\/h3>

Isabelle Fruleux<\/span><\/h4><\/div>

40th Annual Northern California Book Awards<\/a><\/h2>

Jul 2021<\/span> Poetry Flash<\/h3>

Kathleen Winter<\/span><\/h4><\/div>

Thomas Simaku’s Album on French Radio best CDs<\/a><\/h2>

Jun 2021<\/span> University of York Music Press<\/h3>

Thomas Simaku<\/span><\/h4><\/div>

Groundbreaking Robotic Art Pioneer Adrienne Wortzel Reveals The Secret Behind Her Most Magical Creations on BUST’s “Poptarts” Podcast<\/a><\/h2>

Jun 2021<\/span> BUST<\/h3>

Adrianne Wortzel<\/span><\/h4><\/div>

6 Books That Bring The Asian Experience Out of the Margins<\/a><\/h2>

May 2021<\/span> YES!<\/h3>

Marie Mutsuki Mockett<\/span><\/h4><\/div>

Announcing the 2021-22 Rome Prize Winners and Italian Fellows<\/a><\/h2>

Apr 2021<\/span> American Academy in Rome<\/h3>

Autumn Knight<\/span><\/h4><\/div>

Announcing the 34th Annual Translation Prize Finalists<\/a><\/h2>

Mar 2021<\/span> French-American Foundation<\/h3>

Jody Gladding<\/span><\/h4><\/div>

Pen America announces 2021 Literary Awards longlists<\/a><\/h2>

Dec 2020<\/span> Pen America<\/h3>

Lauren Sandler<\/span><\/h4><\/div>

Lenora Champagne awarded inaugural Katherine Owens Fund for new work<\/a><\/h2>

Oct 2020<\/span> American Theater<\/h3>

Lenora Champagne<\/span><\/h4><\/div>

Author Mockett to read virtually from award-winning book<\/a><\/h2>

Oct 2020<\/span> College of Saint Benedict – Saint John’s University<\/h3>

Marie Mutsuki Mockett<\/span><\/h4><\/div>

The 20 Must-Read Fiction and Nonfiction Books of the Summer<\/a><\/h2>

May 2020<\/span> Newsweek magazine<\/h3>

Marie Mutsuki Mockett<\/span><\/h4><\/div>

Briefly Noted – \u201cAmerican Harvest,\u201d \u201cSick Souls, Healthy Minds,\u201d \u201cAfterlife,\u201d and \u201cOur Riches.\u201d<\/a><\/h2>

May 2020<\/span> The New Yorker<\/h3>

Marie Mutsuki Mockett<\/span><\/h4><\/div>

This is what it\u2019s like to be homeless in New York City<\/a><\/h2>

Apr 2020<\/span> The New York Times<\/h3>

Lauren Sandler<\/span><\/h4><\/div>

Meet the heartland Evangelicals who feed America<\/a><\/h2>

Apr 2020<\/span> Los Angeles Times<\/h3>

Marie Mutsuki Mockett<\/span><\/h4><\/div>

Here Are the 13 New Books You Should Read in April<\/a><\/h2>

Apr 2020<\/span> Time<\/h3>

Marie Mutsuki Mockett<\/span><\/h4><\/div>

The Jewish News – Goldie Goldbloom<\/a><\/h2>

Sep 2019<\/span> The Jewish News<\/h3>

Goldie Goldbloom<\/span><\/h4><\/div><\/div>","protected":false},"excerpt":{"rendered":"

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