Tania June Sammons is a Savannah-based curator and writer whose passion for art, architecture, history, and culture has produced dozens of exhibitions and publications, including Beyond Utility: Pottery Created by Enslaved Hands, and The Art of Kahlil Gibra.

David Heymann is a practicing architect and Distinguished Teaching Professor in the School of Architecture at the University of Texas, Austin.

Gwendolyn Owens is art historian and critic who writes on North American art and architecture. She is the Director of Curatorial Affairs for the Visual Arts Collection, at McGill University.

Adrien Sina is architect, artist, curator, dance & performance art historian. He has curated cross-disciplinary exhibitions involving architecture, performance & new media: ‘Fugitive Fluctuations’, 1995-96, ‘Tragédies Charnelles’ and ‘Immanences Spatiales’, Crayères of the Château de Pommery, 2000; ‘Feminine Futures’, Performa Biennial, New York, 2009; ‘Feminine Futures’, Le Consortium Contemporary Art Centre, Dijon, 2014; ‘Feminine Futures: The Membrane of the Dream I & II’, Museum Langmatt, Switzerland, 2015. Through curatorial advice and theoretical essays he has contributed to ‘Art, Lies and Videotape: Exposing Performance’, Tate Liverpool, 2003; ‘Traces du sacré’ and ‘Danser sa vie’, Centre Pompidou, 2008/2011; ‘Futurism’, Tate Modern, 2009; ‘Inventing Abstraction’, Museum of Modern Art, New York, 2013; ‘The Great Mother’, Palazzo Reale, Milan, 2015; ‘Elles font l’Abstraction’, Centre Pompidou & ‘Women in Abstraction’, Guggenheim Bilbao, 2021-2022, ‘The Milk of Dreams’, La Biennale di Venezia, 2022. He was Thinker in Residence at London’s Live Art Development Agency, advisor for ‘PSi #12, Performing Rights Festivals’, 2005-08. Solo exhibitions: ‘Archaeology of Desire – A history of medical gaze and flesh’, t1+2 artspace, 2005 & Richard Rogers’ NEO Bankside Pavilion, London, 2012-2013. ‘Democracy Pavilion’, Open City Festival, Lublin, 2019. He published ‘Feminine Futures: Performance, Dance, War, Politics & Eroticism’ in 2011 & ‘Feminine Futures: Expression / Abstraction – The Membrane of Dreams. Avant-garde expressive & abstract dance through photography & experimental film’, 2023.